Timur and the princely vision : Persian art and culture in the fifteenth century /
: "Exhibition itinerary, Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C., April 16-July 6, 1989, Los Angeles County Museum of Art, August 13-November 5, 1989" -- title pages verso. : 395 pages : illustration (some color) ; 32 cm. : Includes bibliographical references. : 0874747066
Buddhism in Central Asia /
:
"The ERC-funded research project BuddhistRoad aims to create a new framework to enable understanding of the complexities in the dynamics of cultural encounter and religious transfer in pre-modern Eastern Central Asia. Buddhism was one major factor in this exchange: for the first time the multi-layered relationships between the trans-regional Buddhist traditions (Chinese, Indian, Tibetan) and those based on local Buddhist cultures (Khotanese, Uyghur, Tangut, Khitan) will be explored in a systematic way. The first volume Buddhism in Central Asia (Part I): Patronage, Legitimation, Sacred Space, and Pilgrimage is based on the start-up conference held on May 23rd-25th, 2018, at CERES, Ruhr-Universität Bochum (Germany) and focuses on the first two of altogether six thematic topics to be dealt with in the project, namely on "patronage and legitimation strategy" as well as "sacred space and pilgrimage."".
:
1 online resource. :
Includes bibliographical references and index. :
9789004417731
Transfer of Buddhism across Central Asian networks (7th to 13th centuries) /
:
The interdisciplinary volume Transfer of Buddhism across Central Asian Networks (7th to 13th Centuries) , edited by Carmen Meinert, offers a new transregional and transcultural vision for religious transfer processes in Central Asian history. It looks at the region as an integrated (religious) whole rather than from the perspective of fragmented sub-disciplines and analyses the spread of Buddhism as a driving force in a societal and cultural change of pan-Asian importance. One particular dimension of this 'Buddhist globalisation' was the rise of local forms of Buddhism. This volume explores Buddhist localisations through manuscripts and material culture in the multiethnic oases of the Tarim basin, the Transhimalyan region of Zangskar, Ladakh and Kashmir and the Western Tibetan Kingdom of Purang-Guge.
:
1 online resource. :
Includes bibliographical references and index. :
9789004307438 :
Available to subscribing member institutions only.
Manichaeism in Central Asia and China /
:
The discovery of genuine Manichaean texts from sites like Turfan and Tun-huang since the beginning of the century has greatly increased our knowledge of the teaching of Manichaeism and of its amazing geographical spread in pre-Islamic times. This volume brings together the contributions by a leading authority on the subject including a long survey article on the history of the discovery of the texts from Central Asia as well as articles focusing on some of these texts and on the incredible history of adaptation and survival of the sect in China proper. The studies include many Chinese texts on Manichaeism made available for the first time in their original scripts and in translation. The volume also contains the first ever working catalogue of all Manichaean texts (in western as well as oriental languages) published up to 1997.
:
1 online resource. :
Includes bibliographical references and index. :
9789004439832
9789004104051
L'art du livre en Asie centrale de la fin du xvie siècle au début du xxe siècle : Étude des manuscrits coraniques de l'Institut d'orientalisme Abu Ray?an Biruni /
:
Dans L'art du livre en Asie centrale de la fin du XVIe au début du XXe siècle , Marie Efthymiou met en lumière le riche patrimoine manuscrit de cette région encore mal connue. Traditionnellement rattaché au seul monde iranien, il apparaît au confluent de riches transferts culturels et de vastes circuits d'échanges, où émerge le rôle majeur de l'Inde du Nord et d'importantes spécificités locales. Grâce à l'analyse méticuleuse des manuscrits coraniques de l'Institut Al Bīrūnī, Marie Efthymiou décrit les mutations des techniques de fabrication du livre, renouvelant la connaissance du papier de Samarcande et révélant le dynamisme de Kokand comme centre de production. Un questionnement novateur des usages du livre en restitue la place dans la société et les pratiques de dévotion. In L'art du livre en Asie centrale de la fin du XVIe au début du XXe siècle , Marie Efthymiou sheds light on the rich cultural heritage of Central Asia, a still relatively unknown region. Traditionally considered part of a single Persian cultural domain, it in fact bears witness to a rich convergence of cultural transmissions and trade routes, with strong external influences from North India as well as strong local characteristics. By a meticulous analysis of the Quranic manuscripts of the Al Bīrūnī Institute of Oriental Studies, Marie Efthymiou depicts the technical changes of bookmaking, providing new evidence on Samarcand paper and revealing Kokand as a major centre of production. An innovative approach of the manuscripts' uses traces their place in society and in the everyday life of worshippers.
:
1 online resource (271 pages) : color illustrations, photographs. :
Includes bibliographical references and index. :
9789004284012 :
1877-9964 ;
1877-9964 :
Available to subscribing member institutions only.
Tārīkh-i Rashīdī /
:
In the history of Islam, royal courts and other centers of wordly power played a major role in the survival and development of the sciences and the arts. And many rulers and high ranking officials themselves, too, often engaged in one or several of these. By way of example one may, for the Persianate world, mention Sultan Bayqārā (d. 911/1506), the Timurid ruler of Herat, and Ẓahīr al-Dīn Bābur (d. 937/1530), founder of the Mughal empire in India. Another example is the author of the present work, Mīrzā Muḥammad Ḥaydar Dūghlāt (d. 957/1551). Coming from a family of Chagatai generals and high administrators, he served a whole series of rulers in various parts of east Asia, mostly as a general and lastly as the ruler of Kashmir. Though wider in scope, the Tārīkh-i Rashīdī is above all a unique source of information on Chagatai history, full of personal reflexions on religion, culture, and the arts.
:
1 online resource. :
9789004404083
9789646781870
Ẓafarnāma-yi Khusrawī : Sharḥ-i ḥukmrawāyi-yi Sayyid Amīr Naṣrallāh Bahādur Sulṭān b. Ḥaydar /
:
Ẓafar-nāma is the title of a number of Persian works, in poetry or prose, mostly in glorification of some ruler or dynasty. As examples one could cite the Ẓafarnāmā-yi Tīmūrī (9th/15th cent.), the Ẓafarnāma-yi Shāh Jahān (11th/17th cent.), or the Ẓafarnāma-yi Kābūl (13th/19th cent.). The anonymous Ẓafarnāma-yi Khusrawī published here clearly stands in that tradition. Composed in 1279/1862-63, it was written with the purpose of recording the major events and achievements in the reign of the Manghit ruler of Bukhara, Amīr Sayyid Naṣrallāh b. Ḥaydar (reg. 1257-77/1841-60), preceded by an account of the happenings that led to his coming to power. The Manghits of the Khanate of Bukhara were a Turco-Mongolian dynasty that ruled over Transoxania between 1756 and 1920. The present work gives a detailed, insider account of many of the events that shaped the history of the region halfway the nineteenth century. As such, it is an invaluable and much-needed source of information.
:
1 online resource. :
9789004402201
9789649073347
Mediaeval Manichaean Book Art : A Codicological Study of Iranian and Turkic Illuminated Book Fragments from 8th-11th Century East Central Asia /
:
Mediaeval Manichean Book Art focuses on a corpus of c. one hundred fragments of exquisitely illuminated manuscripts that were produced under the patronage of the Turkic-speaking Uygurs in the Turfan region of East Central Asia between the 8th and 11th centuries CE, and used in service of the local Manichaean church. By applying a codicological approach to the analysis of these sources, this study casts light onto a lost episode of Central Asian art history and religious book culture. Each of the five chapters in this book accomplishes a well-defined goal. The first justifies the formation of the corpus . The second examines its dating on the basis of scientific and historical evidence. Chapter three assesses the artistry of their bookmakers, scribes, and illuminators. The fourth documents the patterns of page layout preserved on the fragments. The final chapter analyses the contextual relationship of their painted and written contents . Mediaeval Manichaean Book Art represents a pioneer study in its subject, research methodology, and illustrations. It extracts codicological and art historical data from torn remains of lavishly decorated Middle-Persian, Sogdian, and Uygur language manuscripts in codex, scroll, and "palm-leaf" formats. Through detailed analyses and carefully argued interpretations aided by precise computer drawings, the author introduces an important group of primary sources for future comparative research in Central Asian art, mediaeval book illumination, and Manichaean studies.
:
1 online resource. :
Includes bibliographical references and index. :
9789047405962
9789004139947
Thus spake the dervish : Sufism, language, and the religious margins in Central Asia, 1400-1900 /
:
Thus Spake the Dervish explores the unfamiliar history of marginal Sufis, known as dervishes, in early modern and modern Central Asia over a period of 500 years. It draws on various sources (Persian chronicles and treatises, Turkic literature, Russian and French ethnography, the author's fieldwork) to examine five successive cases, each of which corresponds to a time period, a specific socially marginal space, and a particular use of mystical language. Including an extensive selection of writings by dervishes, this book demonstrates the diversity and tenacity of Central Asian Sufism over a long period. Here translated into a Western language for the first time, the extracts from primary texts by marginal Sufis allow a rare insight into their world. The original French edition of this book, Ainsi parlait le dervice, was published by Editions du Cerf (Paris, France). Translated by Caroline Kraabel.
:
1 online resource. :
Includes bibliographical references and index. :
9789004402027